TONY features
parades & changes, replays
Check out two great articles by Gia Kourlas on Anna Halprin, Anne Collod & guests reinvention of the ground breaking 1965 work Parades & Changes.
From the Magazine:
” ‘The piece has been always going back and forth between our work and Anna’s feedback and not trying to do as they were doing in the past, because that is impossible and not so interesting,’ Collod says, ‘and at the same time, not going into something totally new.’
If one thing was resoundingly clear to Collod during the course of the project, it is Halprin’s integral influence on contemporary dance. In many ways parades & changes, replays was conceived as a way to acknowledge Halprin’s achievements, or as Collod explains, ‘what she made possible for us as artists.’ ”
From the Website:
Gia Kourlas in Conversation with Morton Subotnick -
“So are all the scores in the dances related? A score equals a dance, right?
Well, we called everything a dance. There was the shouting dance and the stomping dance and the construction dance and the light dance—they were like scenes, and each of them was on a three-by-five card, which were the scores. The originals are not around, but I have made overview scores that were superimposed over them….
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